10 fotosBABELIAEdgar Martins, retratos de una ausenciaEn su último proyecto, el fotoperiodista portugués experimenta con nuevas formas de representación para abordar el trauma y la desaparición en la guerra mediante el enigma, la tensión y la ambigüedadGloria Crespo MacLennan30 may 2024 - 05:30CESTWhatsappFacebookTwitterLinkedinComentariosImagen perteneciente al libro 'Anton’s Hand is made of Guilt. No Muscle or Bone. He has a Gung-ho Finger and a Grief-stricken Thumb’, de Edgar Martins, publicado por The Moth House (Reino Unido).Imagen perteneciente al libro 'Anton’s Hand is made of Guilt. No Muscle or Bone. He has a Gung-ho Finger and a Grief-stricken Thumb’, de Edgar Martins publicado por The Moth House (Reino Unido). Vista de la instalación ‘Anton’s Hand is made of Guilt. No Muscle or Bone. He has a Gung-ho Finger and a Grief-stricken Thumb’ (2024). © Edgar MartinsVista de la instalación ‘Anton’s Hand is made of Guilt. No Muscle or Bone. He has a Gung-ho Finger and a Grief-stricken Thumb’ (2024). © Edgar MartinsDe la serie ‘Anton’s Hand is made of Guilt. No Muscle or Bone. He has a Gung-ho Finger and a Grief-stricken Thumb’ (2024). Edgar MartinsVista de la instalación ‘Anton’s Hand is made of Guilt. No Muscle or Bone. He has a Gung-ho Finger and a Grief-stricken Thumb’ (2024). © Edgar MartinsVista de la instalación ‘Anton’s Hand is made of Guilt. No Muscle or Bone. He has a Gung-ho Finger and a Grief-stricken Thumb’ (2024). © Edgar MartinsDe la serie ‘Anton’s Hand is made of Guilt. No Muscle or Bone. He has a Gung-ho Finger and a Grief-stricken Thumb’ (2024). Edgar MartinsVista de la instalación ‘Anton’s Hand is made of Guilt. No Muscle or Bone. He has a Gung-ho Finger and a Grief-stricken Thumb’ (2024). © Edgar Martins Portada del libro 'Anton’s Hand is made of Guilt. No Muscle or Bone. He has a Gung-ho Finger and a Grief-stricken Thumb’, de Edgar Martins publicado por The Moth House (Reino Unido).